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For the serious to be truly serious, there must be the serial, which is made up of elements, of results, of configurations, of homologies, of repetitions. What is serious for Lacan is the logic of the signifier, that is to say the opposite of a philosophy, inasmuch as every philosophy rests on the appropriateness, transparency, agreement, harmony of thought with itself.
The unconscious means that thought is caused by the non-thought that one cannot recapture in the present, except by capturing it in its consequences. This is how Georges Dandin recaptures the consequence of stopped time when he stops to say: You wanted it, Georges Dandin.
He makes time stop to recapture in the consequence what was caused by the non-thought. Fichte was the first philosopher to focus on the uncanny contingency in the very heart of subjectivity: It is important to bear in mind the two primary meanings of Anstoss in German: Anstoss is not simply the obstacle the absolute I posits to itself in order to stimulate its activity so that, by overcoming the self-posited obstacle, it asserts its creative power, like the games the proverbial perverted ascetic saint plays with himself by inventing ever new temptations and then, in successfully resisting them, confirming his strength.
Fichte himself defines Anstoss as the non-assimilable foreign body that causes the subject division into the empty absolute subject and the finite determinate subject, limited by the non-I. Fichte would effectively be a solipsist another commonplace reproach against his philosophy.
I saw myself as taking an author from behind and giving him a child that would be his own offspring, yet monstrous. It was really important for it to be his own child, because the author had to actually say all I had him saying. But the child was bound to be monstrous too, because it resulted from all sorts of shifting, slipping, dislocations, and hidden emissions that I really enjoyed.
Jacques-Alain Miller once characterized this reading with the same words as Deleuze: This Deleuzian procedure has an unexpected theological precedent — not the Christian immaculate conception, to which he himself refers, but the Jewish legend about the birth of the Messiah, reported by Joseph in a monoscript from the 13th century.
God wants to give birth to the Messiah, but knows that all of the forces of evil are waiting in front of the vagina of Shekina to kill the Messiah the minute he is born.
So God goes at night to his mistress, Lilith, the symbol of evil, and penetrates her anally the expression used can also mean that he pees into her vagina. The Messiah will come from Lilith after anal sex: How is its content neutralized? Giorgio Agamben tried to indicate this process with the notion of profanation: To profanate a mass is to perform a black mass, not to study the mass as object of the psychology of religion.
As such, profanation — not secularization — is the true materialist undermining of the Sacred: Protestantism realizes this split between the Sacred and the secular at its most radical: Mutatis mutandis, the same goes for the Stalinist Communism — it is secularized, not profaned religion.
Here one should perhaps supplement Agamben: Say, apropos of poetry: There is thus a zero-level at which profanation cannot be distinguished from sacralization. A thing which appears is experienced as sacred when viewed from behind, from a proper distance, is effectively a profane excess… To paraphrase Rilke, Sacred is the last veil that conceals the horror of the Profane.
So what would the profanation of Christianity be? What if Christ himself — the embodiment of God in a ridiculous mortal, the comical aspect of it — already IS the profanation of divinity?
Differentiality, in order to remain pure i. This is why, as Laclau put it, external difference is always also internal difference: Its structure was deployed by Lacan apropos sexual difference which, as a difference, precedes the two terms between which it is the difference: And the same goes for the political difference class struggle: Both perceive the village as a circle; but for one sub-group, there is within this circle another circle of central houses, so that we have two concentric circles, while for the other sub-group, the circle is split into two by a clear dividing line.
The two perceptions of the ground-plan are simply two mutually exclusive endeavors to cope with this traumatic antagonism, to heal its wound via the imposition of a balanced symbolic structure. Is it necessary to add that things stand exactly the same with respect to sexual difference: They not only occupy different places within the political space; each of them perceives differently the very disposition of the political space — a Leftist as the field that is inherently split by some fundamental antagonism, a Rightist as the organic unity of a Community disturbed only by foreign intruders.
In this sense, Lacan advocates a non-relational concept of phallus: This brings us to the dimension of symbolic castration: Or, to put it in more Deleuzian terms: This self-relating move is crucial — and, along the same lines, what desire desires is not a determinate object but the unconditional assertion of desiring itself or, as Nietzsche put it, the will is at its most radical the will to will itself.CLUSTER 7 GRADE 2 Global Quality of Life Cluster 2 Learning Experiences: Overview KC Describe the impact of various factors on quality of life in Canada and elsewhere in the world.
Film Books Music Art & design TV & radio Stage Classical The story of the self your remembered life story is a pretty good guide to what you will do tomorrow. "Our memory is our coherence.
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Author’s Bio. More than a year into the Obama presidency, I, as neither Republican nor Democrat, am struck by how much he resembles not Jimmy Carter, as conservatives like to say, or FDR, as liberals prefer, but his immediate predecessor, not just in similarly pursuing certain unfortunate policies in ballooning our national indebtedness and doomed military activities.
Music therapists know that by recalling music memories and associating these memories with significant events, our musical memories provide a veritable life review. Using Metaphors and Symbols to Tell Stories. Movies themselves are metaphors for how humans experience life on a deeper level.
Creating a unique language of metaphors and symbols for your film is a big part of being a visual storyteller.